I first got acquainted with this song in the performance of Anna Ternheim, who's a Swedish singer-songwriter, one of my favourites in this genre. She made it very simple, but this simplicity has a cause. With the clear piano sounding she made it more serious than the original version. I didn't even think that someone else wrote it. And when the harmonica starts (on the album version), it creates a fascinating feeling for me, which don't want to stop - yes, it plays for a long time, in a monotonic way.
Later I noticed that it originally belongs to a Swedish indie/emo band, called Broder Daniel, and it's very far from the acoustic version. In spite of that the genre "rock" isn't my favourite, let alone emo, I like this version, too, because that great melody has the same effect on me as in the version of Anna Ternheim. And the melody of singing has little changes, which are good, I think.
ever since I was eight or nine
I've been standing on the shoreline
always waiting for something lasting
loose your hunger, you loose your way
get confused and you fade away
oh this town
kills you when you are young
oh this town
kills you when you are young
I'm not the boy I used to be
this town has got the youth of me
all eyes turn hollow
from the work of sorrow
standing on the paving
by the office building
they've got so much to do
never time for you
we are shadows
oh we're shadows
shadows in the alley
you die when you're young
you die when you're young
you die when you're young
Broder Daniel version:
Anna Ternheim version:
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